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Jutarnji pozdrav Dobro jutro tata, čuj zvonjavu sata. Sto izvora, nigde obala. The band started performing live, with saxophonist Paul Pignon occasionally performing with them.

The album was produced by Žika Filipović and Živanović and Galonić themselves. On 29 April 2010, Zana celebrated thirty years of work with a concert in Sava Centar. In 1989, Gajović left the band, retiring from music and moving to.

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Until the mid-1980s the band had moved from their initial and sound towards. After the departure of Zana Nimani in 1984, Jovićević and Živanović continued to lead the band, changing vocalists. During the 1990s, Zana worked as a trio consisting of Jovićević, Živanović and vocalist Jelena Galonić, moving towards and away from. In 1999, Jovićević left the group, leaving Živanović and Galonić as the only official members of Zana. In the 2010s, Živanović and Galonić formed a new lineup, making a return to pop rock format. On a dance in Saint Sava elementary school in Belgrade, on which their band Suton Dusk performed, Jovićević brought his girlfriend at the time. She sang, having her first performance with Jovićević and Živanović. They soon got a term to record in 's Studio VI, where they were spotted by lyricist , who had previously worked with , , , , , , and other acts. She got interested in the band, and soon became not only their lyricist, but also their official member. In 1979, Jovićević, Živanović and Nimani started to perform under the name Zana. The first lineup of Zana also featured the guitarist Igor Jovanović, the bass guitarist Bogdan Dragović and the drummer Aleksandar Ivanov. They were declined by , but soon after signed by , which released the single, on which a children choir made a guest appearance. The band started performing live, with saxophonist Paul Pignon occasionally performing with them. They had their first public performance in Belgrade in November 1980, performing as an opening act on concert in. The band's debut album, Loše vesti uz rege za pivsku flašu Bad News Accompanied by for a Beer Bottle was released in 1981. It was recorded in Jugoton's Studio VI, and produced by the band members themselves. The band promoted the album with a concert in. On a fund-raising concert in they performed as an opening act for. The December 1981 mini-tour across Serbia was ended when Aleksandar Ivanov left the band due to his army obligations, but he was soon replaced by Pavle Nikolić. The band's second album, Dodirni mi kolena Touch My Knees was recorded in during May 1982, with the help of saxophonist Goran Nillson, percussionist Byl Gunnar Byllin, and multi instrumentalist, recorder and producer , who also coauthored lyrics for two songs on the album. During the album recording, Tucaković stopped being the band's official member, but continued to write lyrics for them. At the end of 1982, the band went on a tour across Serbia, , and , however, the concerts saw bad reviews, as the band failed to reach standards of the studio recordings. In May 1983, Jovanović and Ivanov returned to the band, and Dragović and Radulović left. In August 1983, Zana recorded their new studio album, entitled Natrag na voz Back to the Train , also recorded in Sweden and produced by Tini Varga. At the time of album release, the end of 1983, Ivanov left the band, and was replaced by Predrag Jakovljević formerly of Zamba. In February 1984, Zana went on a promotional tour, but as the audience showed little interest in their concerts, they ended the tour in March. Soon after, Jovičić and Kikamac went to serve the army, the band went on hiatus, and Nimani decided to start a solo career. After the release of her only solo album Noćas pevam samo tebi Tonight I Sing only for You in 1986, she retired from music. Nataša Gajović and Nataša Živković years 1985-1990 In 1985, Jovićević and Živanović reunited Zana with the new vocalist, Nataša Gajović. With the album Zana, also known as Crvene lale Red , released in 1985 and produced by , they moved towards sound. The 1988 album Zana, produced by Tini Varga, featured and as guest musicians. In 1989, Gajović left the band, retiring from music and moving to. The album was produced by Jovićević, Živanović and and released in 1989. After only two years spent with Zana, Živković joined and withdrawn from the scene. In 1990, to celebrate ten years of activity, Jovićević and Živanović released the compilation album Najlepše pesme 1980-1990 Most Beautiful Songs 1980 - 1990. In the autumn of 1998, they released the live album Zana uživo Zana Live , recorded on their concert held in on 1 November 1997. The album featured singer Brankica Vasić as guest. In 1999, they released the album Prijatelji Friends , which featured sound resembling their early works. Beside Zana members, the authors of the lyrics were Marina Tucaković and. Zana as a duo 1999-2015 In 1999, Jovićević moved to the United States, leaving Živanović and Galonić as Zana's only official members. In 2001, the two released the album 21, featuring songs composed by Živanović on the lyrics by Galonić and Marina Tucaković. The album was produced by Žika Filipović and Živanović and Galonić themselves. In June 2008, Živanović and Galonić wed. On 29 April 2010, Zana celebrated thirty years of work with a concert in Sava Centar. Nataša Gajović and Nataša Živković made guest appearances on the concert. In March 2016, the band's original bass guitarist, Bogdan Dragović, died. I Believe in You Best of Live! Ex YU rock enciklopedija 1960 - 2006. Retrieved 13 March 2018. Retrieved 13 March 2018. Retrieved 29 August 2012. Retrieved 29 August 2012. Retrieved 13 March 2018. Retrieved 29 August 2012. Retrieved 29 August 2012. Archived from on 28 March 2007. Retrieved 29 August 2012.

The producer of the album is Goran Bregovic, who is also the majority author on the album, while the lyrics are signed by Marina Tucaković and Ljilja Jorgovanovic. Retrieved 13 March 2018. Ć up ne diraj, ma gdje stajao. Tema: dijelovi tijela Cilj je naučiti djecu razlikovati dijelove tijela i povezati ih s aktivnostima. Tema: dani u tjednu Tjedan Ponedjeljak je prvi dan, on je veseo, odmoran. The supervisor of the album is Djordje Novkovic, and the producers are Severina, Niksa Bratos, Ante Pecotić and Mustafa Softic. Until the mid-1980s the band had moved from their initial and sound towards. Na postelji od punog Meseca.